Foldable phones aren’t camera trend-setters because they get their camera components from other models. The Samsung Galaxy Z Fold 7 is no different in carrying on that pattern, only this time it’s actually rocking a flagship-level main wide-angle camera.
The Sony RX1R II was such a unique product for its time, offering high resolution mated to a stunning Zeiss lens, all in a compact size. However, it was always a premium product that demanded an exorbitant price. The RX1R II debuted at around $3,300, and let’s keep in mind that was nine years ago.
In Calgary, we have an annual Japanese festival aptly named Omatsuri. This is a fun event with lots of vendors, great food, and displays of Japanese culture. It’s also an excellent testing ground for the new Samyang 85mm f/1.8 P FE.
The post New Gear Alert: Mini Flash, Maxi Fun! iT20/22 from Godox appeared first on Digital Photography School. It was authored by Sime.
Introducing iT20/iT22 iFlash Camera Flash. 45g Ultra-compact body with TTL function, perfect for both indoor and outdoor use, easily fits in your pocket for anytime creativity. Innovative magnetic accessories for quick light effect switching, creating unique atmospheres and creative possibilities.
Smart TTL, Effortless Results
Say goodbye to complex setups. Our mini TTL flash delivers perfect lighting instantly, empowering you to shoot faster and smarter.
45g Ultra-Compact Design
Its featherlight build takes up minimal space, ensuring you’re always prepared to seize life’s precious moments.
One-Touch M/TTL Mode Switching
Toggle between manual and TTL modes instantly via a dedicated button. The high-definition display shows clear, real-time settings for rapid adjustments.
Magnetic Accessories: Creativity Unleashed
Equipped with magnetic snap-on diffusers, color filters (CTO/CTB), creative gels, and honeycomb grids, the iT20/iT22 transforms light in seconds. Experiment with atmospheric effects and craft distinctive visual stories.
700+ Flashes & 1.5s Recycling
Shoot uninterrupted with 1.5-second recycle times at full power and a remarkable 700-flash battery endurance.
Precise Power Control
Adjust flash intensity across 6 stops (1/32 to 1/1 power) in precise ±1/3-step increments for total command over your lighting.
Lightweight Lithium Battery
The built-in lithium battery charges swiftly via USB-C—keeping your creativity powered through extended shoots.
Elevate your flash—literally
The Optional TR TTL Hot Shoe Riser lifts your flash by 30mm, ensuring better clearance from the frame edge when using wide or protruding lenses. Compatible with Canon E-TTL II, Nikon i-TTL, Sony, Fujifilm, OM System and Panasonic TTL systems, it supports both auto flash and High-Speed Sync (HSS) functions. A 0-90° tilt adjustment gives you the flexibility to shoot with direct or bounce flash.
*Recommended for use with Godox camera flashes under 300g for optimal balance and stability.
What’s in the box
| Flash Body×1 | USB-C Charging Cable×1 | Storage bag×1 | Magnetic Spreader×1 |
| 1/2 CTO Magnetic Color Filter×1 | 1/1 CTO Magnetic Color Filter×1 |
Optional
| Softbox iT20-DF?Compatible with iT20? | iFlash On-Camera Flash Light Magnetic Attachment MA01 |
| Model | iT20 C/N/S/F/O | iT22 C/N/S/F/O |
| Compatible Camera Models | C: Canon cameras (E-TTL II auto flash) N: Nikon cameras (i-TTLauto flash) S: Sony cameras (TTL auto flash) F: Fujifilm cameras (TTL auto flash) O: OM System/Panasonic cameras (TTL auto flash) | |
| Built-in Lithium Battery | 7.4V, 300mAh | 7.4V, 300mAh |
| Input | 5V?0.6A | 5V?0.6A |
| Charging Time | Approx. 1h10min | Approx. 1h10min |
| Flash Times (1/1 Power) | Approx. 700 | Approx. 700 |
| Recycling Time (1/1 Power) | ?1.5s | ?1.5s |
| Flash Power Levels | 1/32?1/1, adjustable in ±1/3 increments | 1/32?1/1, adjustable in ±1/3 increments |
| Operating Environment Temperature | -10?~+50? | -10?~+50? |
| Synchronization Trigger | Hot Shoe | Hot Shoe |
| Dimensions | 41.5mm×41mm×32mm | 40mm×64mm×28mm |
| Net Weight | ?45g | ?52g |
The post New Gear Alert: Mini Flash, Maxi Fun! iT20/22 from Godox appeared first on Digital Photography School. It was authored by Sime.
Nothing ventured, nothing gained. As a brand hailing from Britain, Nothing has been around since 2020, and the Phone 3 is its first true flagship aimed at taking on the best in the industry.
The post Are Lens Filters Still Relevant in the Age of “Fix It in Post”? appeared first on Digital Photography School. It was authored by Sime.
In this, the age of “I’ll just put a filter on it in post” are lens filters still relevant?
In the era of Lightroom presets, AI-enhanced editing, and Photoshop wizardry, it’s easy to assume that physical lens filters are obsolete. “I’ll just fix it in post” has become the battle cry of a generation of photographers—both amateurs and professionals alike.
But are we missing something?
Let’s be clear: post-processing tools are more powerful than ever. You can simulate everything from graduated neutral density (ND) effects to polarisation with just a few sliders and layers. But the truth is, filters—especially high-quality ones—still offer something digital can’t quite replicate: real-world optical control.
Here’s where physical filters, like those from OKKO, come into their own.
OKKO are a Kiwi brand making a name for themselves in the world of affordable, premium lens filters. They offer a range of filters—UV, CPL (circular polariser), ND, and variable ND—built with solid materials, minimal colour cast, and modern coating tech. Their sweet spot? A solid balance of performance and price, without veering into the eye-watering territory of $300+ filters.
Get OKKO Filters on sale on Amazon
No amount of Photoshop can bring back detail in blown-out skies or remove glare from a car window. A CPL filter, like the OKKO Pro Circular Polariser, physically cuts out reflected light, saturates skies, and lets you shoot through glass or water without distracting reflections.
Neutral Density filters reduce the amount of light hitting your sensor, letting you drag the shutter and create silky waterfalls, smooth clouds, or isolate subjects with motion blur—even in broad daylight. OKKO’s variable ND filters offer flexible light control in a single filter, ideal for both photographers and video shooters.
Sure, you can slap a $5 UV filter on your $2,000 lens, but why compromise image quality? OKKO’s UV filters use optical glass with nano-coatings to protect your front element from scratches, dust, and the occasional toddler fingerprint—without softening your shots.
OKKO filters are made with aircraft-grade aluminium and Japanese optical glass. The build feels premium, but the price tag doesn’t make your wallet cry. You get that “buy well, buy once” peace of mind without the premium-brand markup.
Are lens filters still relevant in 2025? Absolutely—especially when you’re after better in-camera results, protection, or creative effects that editing alone can’t match.And if you’re in the market, OKKO Filters are a solid place to start. Whether you’re capturing landscapes, filming content on the go, or just protecting your glass, these filters quietly deliver. No hype. Just good gear.
The post Are Lens Filters Still Relevant in the Age of “Fix It in Post”? appeared first on Digital Photography School. It was authored by Sime.
In May, vintage-inspired analog camera company Reto announced the Reto Pano, a reusable point-and-shoot camera with both an ultra-wide lens and the promise of being able to switch freely between standard 35mm film aspect ratio and panoramic mid-roll. It got my attention.
The post Digital Photography School on Twitter appeared first on Digital Photography School. It was authored by Darren Rowse.
Today Digital Photography School has made the leap into a new online medium – Twitter.
UPDATE:
So I was just browsing older articles here on dPS, and came across this gem, remember when Twitter was called Twitter… oh, err, I mean ‘X’ – whatever, you know what I mean! Well we are STILL on X (Twitter) and we’re also on Facebook, we have a private Facebook Group AND we even have an Instagram and Threads account. Do you follow us on any of them / all of them?
Which leads me to my next question, do you share your photography on social media? We would love you to share a link to where you share your work, online, in the comments below!
For those of you who don’t know Twitter – it is a social site that enables people to share short messages with their followers. It’s known as ‘micro-blogging’ because you only get 140 characters to write your message. There are millions of people ‘Twittering’ – it’s fun and quite addictive.
So today we started the Digital Photography School Twitter account.
It’s a place where we’ll post messages when we update our blog, announce new assignments in our forums, ask photography questions, take your questions and suggestions.
To follow the account just signup as a Twitter user and then ‘follow’ us.
The post Digital Photography School on Twitter appeared first on Digital Photography School. It was authored by Darren Rowse.
Wandrd’s Prvke series has earned a devoted following among photographers, and with the launch of the new Prvke V4 21L and the Essential Camera Cube V2, Wandrd promises photographers an even better carrying experience. I find out if Wandrd’s new bag lives up to its billing.
If you have a Sony E-mount camera body, the world is your oyster when it comes to lens selection. If you have a camera in Nikon Z-mount, you’d better like Tamron and Nikon glass. With all the excellent third-party lenses being manufactured, Nikon users can feel a little left out. But what if you could mount E-mount lenses onto your Nikon body? Megadap decided to allow just that, and we got our hands on the $249 ETZ21 Pro to see if E-mount lenses play nice with Nikon bodies.
