Introducing the Godox AD400 Pro II Studio Light

The post Introducing the Godox AD400 Pro II Studio Light appeared first on Digital Photography School. It was authored by Sime.

The team at Godox have released the version two of their well loved AD400 Pro series of portable studio lights, or as they like to call them, the All-in-One Outdoor Flash.

Introducing the Godox AD400 Pro II Studio Light

400 Ws & 1/8000 Ws HSS ?

With 400 Ws of output and up to 460 full-power flashes per charge, the AD400ProII delivers sustained, studio-grade performance on location. High-speed sync up to 1/8000 Ws lets you freeze action and balance flash in bright conditions. Whether you’re shooting high-dynamic sports or ultra-short exposures in daylight, every detail comes through with stunning clarity.

Introducing the Godox AD400 Pro II Studio Light

Ultra-Fast Freeze Mode

The AD400ProII can freeze even the quickest motions with an ultra-short flash duration of up to 1/27770 second (t0.1). This lets you capture razor-sharp images of flying water droplets, speeding vehicles, or any fast-moving subject. Coupled with a lightning-fast recycle time (as quick as 0.01 s), the AD400Pro II keeps pace with your creativity without missing a beat.

Introducing the Godox AD400 Pro II Studio Light

1/512 Fine Power Control

AD400 Pro II offers 10 power settings from 1/512 to full power, allowing pinpoint adjustment of flash output for consistent, repeatable exposures.

Introducing the Godox AD400 Pro II Studio Light

30?W Bi-Color Modeling Lamp

The built-in 30?W bi-color LED offers Constant mode for manual brightness (10?%–100?%) and color temperature (2800?K–6000?K), plus Prop mode, where brightness follows flash output. Stable, flicker-free illumination also doubles as a continuous video light.

Introducing the Godox AD400 Pro II Studio Light

2.4?GHz Wireless X System

Equipped with Godox’s 2.4?GHz Wireless X system, the AD400ProII ensures fast and stable multi-light communication. With the X3 trigger, one-tap sync connects all units instantly—no manual group or channel setup needed. It also works seamlessly with Xpro II, X2T, X1, and other X-series transmitters. For expanded triggering options, the USB-C port supports the optional FR433 433?MHz receiver.

Introducing the Godox AD400 Pro II Studio Light

Group Indicator Lights

16 distinct lights assign each group a unique color, so you can identify and adjust any unit at a glance—even in low light or from a distance. Just select the group’s color on screen and tweak power or sync settings instantly, keeping your shoot running smoothly.

Introducing the Godox AD400 Pro II Studio Light

Intuitive Color Display & Controls

Adjust settings instantly using the bright, full-color TFT display, where all key functions are laid out clearly and intuitively. A single press-and-hold of the modeling-lamp button toggles the lamp on or off, putting control at your fingertips and speeding up your workflow.

Introducing the Godox AD400 Pro II Studio Light

Universal Modifier Compatibility

The AD400ProII features both a Godox mount and an included Bowens adapter. Swap between them to use a wider range of modifiers from either ecosystem, unlocking more creative versatility.
*Bowens adapter installs without blocking the Godox mount.

Introducing the Godox AD400 Pro II Studio Light

And much more! You can head over to the Godox website for the full list of features.

Learn more about the Godox AD400ProII on their website here.

The post Introducing the Godox AD400 Pro II Studio Light appeared first on Digital Photography School. It was authored by Sime.

Sigma 12mm f/1.4 DC Contemporary Review: An Absolute Gem

The industry desperately needs more lens support for APS-C cameras and it often feels like a neglected market. Full frame is clearly the favored child when it comes to the camera game, but I happen to love smaller sensor cameras, which give a great mixture of compactness and quality. Sigma is on a roll, making sure to give users excellent and affordable optics for Sony E mount, Canon RF mount, and Fujifilm X mount. The latest $629 Sigma 12mm f/1.4 DC Contemporary lens seeks to cover the ultra-wide arena with plenty of light-gathering potential to boot.

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Linogy Battery Charger Hands-On: Wait, Actual Battery Innovation?

A white battery charger with eight color-coded AA rechargeable batteries inserted. The charger is labeled “ingay.” The foreground features a “PetaPixel Hands-On” graphic.

Batteries are boring. The most recent and exciting battery innovation I can recall is when manufacturers started incorporating USB-C ports into camera batteries. Needless to say, it’s a low bar. That’s why my expectations for the Linogy AA/AAA Battery Charging system were at most lukewarm, but after using it, I have to admit: this thing is great.

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Sigma 200mm f/2 DG Sports Review: Swinging for a Home Run

A person holds a professional Sony camera with a large white telephoto lens. The background features a mural and a blue and white “PetaPixel Reviews” banner in the top right corner.

The fixed 200mm f/2 is a very rare and specialized lens. In the DSLR days, there were very few available, and they were all ridiculously expensive. Canon and Nikon both made some very prestigious versions that delivered razor-sharp optics and incredibly shallow depth-of-field. They were also useful for low-light sports and action photography.

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Insta360’s Antigravity A1 8K 360º Drone Takes off!

The post Insta360’s Antigravity A1 8K 360º Drone Takes off! appeared first on Digital Photography School. It was authored by Sime.

A quick press release for those of you that like to take to the skies! (I know I do) but this time, we’re talking about a 360 camera!

The team at Insta360’s new independent drone brand, Antigravity, have unveiled their new drone the Antigravity A1, the world’s first drone with built-in 8K 360 capture. That sounds impressive and like a whole lot of memory card is going to be needed! ?

Key Features

  • 8K 360 capture with top-and-bottom lens configuration.
  • 360 immersive live view and head tracking via the Vision goggles.
  • Invisible drone effect through advanced image stitching.
  • Intuitive point-to-fly controls with the Grip controller.
  • Never miss a shot with easy post-flight reframing and editing.
  • Compact and lightweight at 249g for license-free flying in most countries and regions.
  • Safety features including return-to-home and a payload detection system.

This is also the first product from Antigravity, the new drone brand incubated by Insta360 in collaboration with third parties. A1 combines immersive flight in 360 degrees, an exceptionally accessible flying experience, and limitless creative possibilities.

The Antigravity A1 uses a dual-lens 360° camera to capture its surroundings in every direction. Its advanced stitching technology seamlessly removes the drone from both live view and recorded footage, delivering an immersive, distraction-free experience that puts pilots right inside the scene.

Insta360's Antigravity A1 8K 360º Drone Takes off!

With every angle recorded in ultra-sharp 8K, pilots no longer need to worry about framing shots mid-flight. Instead, they can reframe their footage freely during editing—making flying simpler and reducing the chance of missing key moments. In post, creators can export in any aspect ratio without sacrificing quality and experiment with effects like Tiny Planet or horizon flips. Those familiar with the Insta360 X Series will feel right at home shooting and editing 360° footage with the Antigravity A1.

“The Antigravity A1 is unlike anything we’ve ever brought to market, and it’s poised to transform drone flight in multiple ways,” says Max Richter, Co-Founder and VP of Marketing at Insta360. “It makes immersive drone flying accessible to more people, while giving both hobbyists and professionals a powerful new way to capture and share their stories.”

Insta360's Antigravity A1 8K 360º Drone Takes off!

You can find the full release over on the Insta360 blog, we hope to get hold of one to test for you dPS drone pilots!

The post Insta360’s Antigravity A1 8K 360º Drone Takes off! appeared first on Digital Photography School. It was authored by Sime.

Landscape Photography for Beginners: A Comprehensive Guide

The post Landscape Photography for Beginners: A Comprehensive Guide appeared first on Digital Photography School. It was authored by Barry J Brady.

Landscape photography for beginners

Reading back over a handful of our Landscape Photography articles and thought I’d re-share this gem with a couple of thoughts:

These days, landscape photography isn’t just about having the fanciest gear — it’s more about how you see and respond to the world around you. Photographers like William Patino talk about getting out there with an open mind, letting the light and weather guide what you shoot instead of sticking to a strict plan. (From an article I read on another great photo blog) And YouTubers like Mark Denney often remind us that developing your creative eye matters more than chasing the latest camera upgrade. (No, really) It’s all about learning to see great shots in everyday moments.

At the same time, new tools and techniques are making it easier than ever to get creative. Long exposures (especially with ND filters) are super popular for making water look smooth or capturing movement in the clouds — and shooting in RAW format gives you more freedom when editing later. There’s also a big push lately to play with composition. Sure, classics like the rule of thirds and golden hour are still gold, but people are experimenting more — using angles, layers, and even ideas from art and science to create more interesting shots. So don’t be afraid to try new things!

Updated 7 August, 2025. ??

Landscape photography is an amazing activity filled with excitement, beauty, exhilaration, and so much more. And in my view, landscape photography isn’t especially difficult – but it does require dedication, passion, and a bit of knowledge.

In this article, I offer my best tips for beginner landscape photography. I explain how to find the best subjects, how to choose the right gear, and how to handle your camera settings in the field; in fact, you can think of this as a mini landscape photography crash course covering all the basics.

So if you’re a landscape photography newbie and you want to know how to get started, or you’re not sure if landscape photography is right for you but you’re interested in exploring the genre, then keep on reading!

1. Start by researching potential locations

Beautiful landscape photography generally starts with a beautiful subject. Depending on where you live, you may have to drive a fair distance to find some great landscape scenes, or you may be lucky enough to have a few stunning vistas a few miles away.

Regardless, I encourage you to spend some time researching every potential location before heading out. That way, you can optimize your time in the field, and you rarely get stuck hunting for a nice composition while the light fades.

Beginner landscape photography

Before visiting a new location, I often do a bit of googling. I’ll do a search like “landscape scene + [my location]” and browse the Google Image results. Even if you just want to shoot nearby and think you know the area, it’s generally worth doing a quick search; sometimes, you’ll encounter a gorgeous scene that you didn’t know was in the area!

Anyway, use Google Image photos to compile a list of possible shooting locations. (If you don’t find much on Google, you can also check out 500px, Instagram, or even Flickr, all of which feature plenty of great landscape photography!)

It’s also important to keep in mind your shooting requirements and preferences. Do you want to capture a sunrise? A sunset? A mountain? A reflecting pool? A forest? While it’s great to keep a list of all possible locations in an area – and it’s always handy to have backups in case a location doesn’t work out – I’d recommend prioritizing certain areas based on your interests.

Beginner landscape photography

Once you’ve identified several great locations, you may think you’re ready to head out and shoot, but I’d recommend opening an app like PhotoPills or The Photographer’s Ephemeris. Drop a pin on your potential shooting location, then check the sun positions, the moon positions, and any other relevant information. Then time your photoshoot to coincide with the perfect conditions!

(What conditions are best for landscape photography? That’s what I discuss in my next beginner landscape photography tip!)

2. Shoot in the right light

It’s technically possible to capture great landscape shots at any time of day, but most landscape shooters like dramatic colors and soft light – which is why it’s generally best to photograph at sunrise and sunset.

Sunrise and sunset are known as the golden hours because they offer such beautiful, warm light. Unfortunately, the incredible light doesn’t last for very long, so it pays to arrive at least a half hour (or more) before the light show begins; that way, you’ll have plenty of time to select a composition and set up your camera.

Beginner landscape photography

Once you’re out in the field, you should pay careful attention to the direction of the light. Side light – which comes from off to the side of the camera – is a great way to produce photos with three-dimensionality and lots of texture, though backlight can create dramatic results, especially if the sky features a glorious sunrise or sunset.

And speaking of glorious skies: If possible, try to photograph on days when the sky features enough cloud cover to produce eye-catching colors, but not so much cloud cover that everything looks gray and drab.

One more landscape photography lighting tip: While the golden hours work great for most locations, you can also capture beautiful shots during the blue hour – that is, the brief window just before sunrise and just after sunset, when the light turns soft, ethereal, and (as the name suggests) cool. Because of the limited light, blue hour photography is more technically demanding than golden hour photography, but as long as you use a tripod and take steps to prevent camera shake, you can create some gorgeous photos.

3. Choose the right beginner landscape photography gear

Landscape photography is a gear-intensive genre. Sure, you can produce decent landscape shots using only a kit-lens-equipped setup or even just a smartphone, but if you want stunning, printable images that feature plenty of detail and incredible tonal range, you’ll want to purchase a few specific items of equipment.

Of course, you can’t shoot landscapes without a camera, so that’s where I’d start. You may already own a decent model, but if not, I’d recommend purchasing some sort of interchangeable lens camera that offers a decent number of megapixels (20+ MP is pretty standard nowadays and should be sufficient for large prints). There are plenty of great mirrorless and DSLR models for landscape photography, and they’ll all do a very solid job.

Beginner landscape photography

You’ll also want a decently wide lens with sufficiently sharp glass. A kit lens (i.e., the lens that comes bundled with most beginner cameras) can work, but if you want better landscape optics, look for a wide-angle zoom or even a wide-angle prime or two.

Next, you’ll need a tripod, and unless you’re really not sure whether this whole landscape photography thing is for you, I’d encourage you to really invest in a sturdy product. Most landscape photography scenarios – such as golden hour and blue hour – offer minimal light, which will force you to slow down your shutter speed. And a slow shutter speed will produce lots of blur – unless your camera has rock-solid support in the form of a tripod.

Tripods can be expensive, but it’s important to remember that a good tripod can make a huge difference. Also, a solid tripod will last a long time, so you won’t need to replace it anytime soon.

Fourth, you’ll need a remote trigger, which will allow you to trip the camera shutter without actually pressing the shutter button. (Why is this necessary? Pressing the shutter button will produce camera shake, which will cause blur, even if your camera is mounted on a tripod.)

When I was a beginner landscape photographer, I took a while to buy a remote release. Then, once I had one, I wondered why I took so long to get it! Remote releases don’t cost very much, but they’ll help keep your photos sharp, which is essential.

Finally, it’s worth mentioning a few landscape photography filters. Graduated neutral density filters allow you to capture a bright sky and a dark foreground in a single frame – though these days, many landscape shooters rely on HDR exposure blending to achieve the same result.

Then there are polarizing filters, which will reduce reflections on wet rocks, lakes, waves, and foliage. They’re great if you plan to shoot a lot of water and forest photos, but they’re not absolutely essential, so it’s up to you whether you want to invest. And neutral density filters block out the light so you can lengthen your shutter speed to produce beautiful long-exposure effects. While you won’t need one of these right away, they’re certainly worth keeping in mind for the future!

4. Choose the right settings

Once you have the right gear, know how to find good locations, and are familiar with different types of light, you’ll need to understand key landscape photography settings.

Unfortunately, there are no formulas for creating perfect shots – each new scenario should be evaluated on a case-by-case basis – but I can offer some handy guidelines.

Beginner landscape photography

First, you’ll generally want everything in your scene to be in focus. I’d encourage you to switch your camera to Manual mode, then dial in an aperture setting of at least f/8 (and potentially f/11 or even f/16 if the scene features a lot of depth). Then focus your lens about a third of the way into the landscape scene to approximate the hyperfocal distance and maximize sharpness.

(It can help to initially use your camera’s autofocus, then switch your lens to focus manually once you’ve set focus correctly. That way, you don’t need to worry about your camera refocusing as you make adjustments to your settings.)

Once your aperture has been set, you’ll want to choose your ISO. An ultra-low ISO is basically always best; I’d recommend setting your ISO to 100 (or your camera’s lowest native setting) and keeping it there. That way you can avoid unpleasant digital noise effects and retain as much detail and dynamic range as possible.

Beginner landscape photography

Next, you’ll need to set your shutter speed. Since you’ll have already dialed in an aperture and an ISO, you should simply choose a shutter speed that produces a good exposure. Depending on the light levels, you may need to drop your exposure to a couple of seconds (or more) to get a good shot, and that’s okay. In fact, lengthy shutter speeds can produce beautiful long-exposure effects; water turns soft and silky, while clouds stretch out across the sky.

Note that if your shutter speed is too long for your tastes (for instance, you want to capture blowing trees or crashing waves in sharp detail), you can widen your aperture or raise your ISO, but do so sparingly – such adjustments come with a cost!

One final settings tip: Make sure that you set your camera to capture RAW files, not JPEGs. RAW files are bigger and require processing, but they retain far more detail and are easier to edit, so it’s essential that you shoot in RAW.

5. Review and post-process your landscape photos

Once you return from a shoot, download your images and peek at the results. You’ll want to purchase some form of editing software (I recommend Adobe Lightroom Classic), and you should use it to organize your images. Put the successful photos in one folder, put the unsuccessful photos in another folder, and choose your absolute best shots from the “Successful” file to be edited. (You may find that you’ll shoot 100 images and only a couple are worthy of editing, and that’s okay!)

Editing might seem difficult, but it mostly just involves a lot of experimentation. My best advice is to take your time and test out each effect. Make sure you adjust the white balance to neutralize any problematic color casts, fiddle with different exposure and tonal sliders to bring out plenty of detail, and try boosting the colors and contrast to add a bit of punch.

Beginner landscape photography

Note that if you come up with an editing effect that you like, you can generally save it as a preset so you can use it again and again (though the specifics will depend on your editing program).

And if you struggle at first to edit your landscape photos, don’t worry. You’ll quickly become familiar with the different effects, and before you know it, you’ll be adjusting those editing sliders like a pro.

Landscape photography for beginners: final words

Landscape photography is incredibly satisfying, and with the right approach, the rewards are often unreal. Of course, you have no control over the weather or the light, and the conditions won’t always work out – but when they do, you’ll feel exhilarated!

At the end of the day, the most important tip is to take your time. Don’t rush the process, and don’t pack up until you’re certain you cannot get a better shot. Always go out and have fun. Even if the light doesn’t play along or the weather isn’t what you hoped for, you can use an outing as a practice session. Pretty soon, you’ll be capturing those breathtaking scenes with ease!

What type of landscape photography do you plan to shoot? Share your thoughts in the comments below!

The post Landscape Photography for Beginners: A Comprehensive Guide appeared first on Digital Photography School. It was authored by Barry J Brady.